Discover & Discuss: Black History Month

Segregated Time
Brendese, P.J. (2023)

When Martin Luther King Jr. argued on behalf of civil rights he was told that he was "too soon." Today, those demanding reparations for slavery are told they are "too late." What time is it? Or perhaps the appropriate question is: whose time is it? These questions point to a phenomenon of segregated time: how a range of political subjects are viewed as occupants of different time zones, how experiences of time diverge across peoples, and how these divergent temporal spheres are mutually entwined in ways that serve the interests of white supremacy. 

In "Segregated Time," P.J. Brendese takes a time-sensitive approach to race as it pertains to the acceleration of human disposability, dynamic identity formation, and the production and allocation of social and economic goods. Although typically conceived in terms of space, Brendese argues that racial segregation and inequality are also sustained through impositions on human time. Drawing on a range of Africana, Latinx, and Indigenous political thought, Brendese demonstrates the way in which time is weaponized against people of color and advances a theory of "white time" as a possessive, acquisitive, colonizing force. The chapters explore how migration politics involves temporal borders, how the extended lifetimes of some are built on the foreshortened lives of others, how racial stigma conveys debt and "subprime time," and how whiteness functions as a store of credit through time. In this innovative inquiry into contemporary orders of time and race, "Segregated Time" examines who is regarded as behind the times, who is cast out of time through racial violence, who "does time" in the prison system, and the racial divides of lives on borrowed time in an epoch of climate catastrophe. - Publisher's Description

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Picturing Black History: Photographs and Stories That Changed the World
Edmeier, Daniela (2024)

"Picturing Black History" uncovers untold stories and rarely seen images of the Black experience, providing new context around culturally significant moments. This volume is full of rousing, vibrant essays paired with rarely seen photographs that expand our understanding of Black history. 

The book is a collaborative effort between Getty Images, Origins: Current Events in Historical Perspective, and the History departments at The Ohio State and Miami Universities. It informs, educates, and inspires our current moment by exploring the past, blending the breadth and depth of Getty Images’s archives with the renowned expertise of Origins contributors and The Ohio State’s and Miami’s History departments, including Daniela Edmeier, Damarius Johnson, Nicholas Breyfogle, and Steve Conn. 

Created by a growing collective of professional historians, art historians, Black Studies scholars, and photographers and showcasing Getty Images’s unmatched collection of photographs, Picturing Black History embraces the power of visual storytelling to relay little-known stories of oppression and resistance, perseverance and resilience, freedom, dreams, imagination, and joy within the United States and around the world. 

In collecting these new photographic essays, this book furthers an ongoing dialogue on the significance of Black history and Black life, sharing new perspectives on the current status of prejudice and discrimination bias with a wider audience. "Picturing Black History" uses the latest academic learning and scholarship to recontextualize and dispel prejudices, while uncovering, digitizing, and preserving new archival materials to amplify a more inclusive visual landscape. - Publisher's Description

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A Short History of Black Craft in Ten Objects
Awake, Robell; Holland, Johnalynn (2025)

Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, including:

- The celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers.
- The elegant wrought-iron gates of Philip Simmons, seen to this day throughout Charleston, South Carolina, whose work features motifs from the Low Country.
- The inventive assemblage art and yard shows of Joe Minter, James Hampton, Bessie Harvey, and others, who draw on African spiritual traditions to create large-scale improvisational art installations. 

From the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, to Gullah Geechee sweetgrass basket makers, to the celebrated quilters of Gee's Bend, "A Short History of Black Craft in Ten Objects" illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft. - Publisher's Description

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We Pursue Our Magic: A Spiritual History of Black Feminism
Magloire, Marina (2023)

Drawing on the collected archives of distinguished twentieth-century Black woman writers such as Lucille Clifton, Audre Lorde, Toni Cade Bambara, Lorraine Hansberry, and others, Marina Magloire traces a new history of Black feminist thought in relation to Afro-diasporic religion. Beginning in the 1930s with the pathbreaking ethnographic work of Katherine Dunham and Zora Neale Hurston in Haiti and ending with the present-day popularity of Afro-diasporic spiritual practices among Black women, she offers an alternative genealogy of Black feminism, characterized by its desire to reconnect with ancestrally centered religions like Vodou. 

Magloire reveals the tension, discomfort, and doubt at the heart of each woman’s efforts to connect with ancestral spiritual practices. These revered writers are often regarded as unchanging monuments to Black womanhood, but Magloire argues that their feminism is rooted less in self-empowerment than in a fluid pursuit of community despite the inevitable conflicts wrought by racial capitalism. The subjects of this book all model a nuanced Black feminist praxis grounded in the difficult work of community building between Black women across barriers of class, culture, and time. - Publisher's Description

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Black Rodeo: A History of the African American Western
Mask, Mia (2023)

African American westerns have a rich cinematic history and visual culture. Mia Mask examines the African American western hero within the larger context of film history by considering how Black westerns evolved and approached wide-ranging goals. Woody Strode’s 1950s transformation from football star to actor was the harbinger of hard-edged western heroes later played by Jim Brown and Fred Williamson. Sidney Poitier’s Buck and the Preacher provided a narrative helmed by a groundbreaking African American director and offered unconventionally rich roles for women. Mask moves from these discussions to consider blaxploitation westerns and an analysis of Jeff Kanew’s hard-to-find 1972 documentary about an all-Black rodeo. The book addresses how these movies set the stage for modern-day westploitation films like "Django Unchained."  

A first-of-its kind survey, "Black Rodeo" illuminates the figure of the Black cowboy while examining the intersection of African American film history and the western. - Publisher's Description

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The Making of Black Lives Matter: A Brief History of an Idea
Lebron, Christopher (2023)

Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and uncompromising campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that "Black Lives Matter" comes out of a much older and richer tradition arguing for the equal dignity -- and not just equal rights -- of black people. 

"The Making of Black Lives Matter" presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that "Black Lives Matter" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and arguments of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. - Publisher's Description

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Food Power Politics: The Food Story of the Mississippi Civil Rights Movement
Lebron, Christopher (2023)

This book unearths a food story buried deep within the soil of American civil rights history. Drawing on archival research, interviews, and oral histories, Bobby J. Smith II re-examines the Mississippi civil rights movement as a period when activists expanded the meaning of civil rights to address food as integral to sociopolitical and economic conditions. For decades, white economic and political actors used food as a weapon against Black sharecropping communities in the Yazoo-Mississippi Delta, but members of these communities collaborated with activists to transform food into a tool of resistance. Today, Black youth are building a food justice movement in the Delta to continue this story, grappling with inequalities that continue to shape their lives. 

Drawing on multiple disciplines including critical food studies, Black studies, history, sociology, and southern studies, Smith makes critical connections between civil rights activism and present-day food justice activism in Black communities, revealing how power struggles over food empower them to envision Black food futures in which communities have the full autonomy and capacity to imagine, design, create, and sustain a self-sufficient local food system. - Publisher's Description

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Fit Citizens: A History of Black Women's Exercise from Post-Reconstruction to Postwar America
Purkiss, Ava (2023)

At the turn of the twentieth century, as African Americans struggled against white social and political oppression, Black women devised novel approaches to the fight for full citizenship. In opposition to white-led efforts to restrict their freedom of movement, Black women used various exercises--calisthenics, gymnastics, athletics, and walking--to demonstrate their physical and moral fitness for citizenship. Black women's participation in the modern exercise movement grew exponentially in the first half of the twentieth century and became entwined with larger campaigns of racial uplift and Black self-determination. Black newspapers, magazines, advice literature, and public health reports all encouraged this emphasis on exercise as a reflection of civic virtue. 

In the first historical study of Black women's exercise, Ava Purkiss reveals that physical activity was not merely a path to self-improvement but also a means to expand notions of Black citizenship. Through this narrative of national belonging, Purkiss explores how exercise enabled Black women to reimagine Black bodies, health, beauty, and recreation in the twentieth century. "Fit Citizens" places Black women squarely within the history of American physical fitness and sheds light on how African Americans gave new meaning to the concept of exercising citizenship. - Publisher's Description

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Horror Noire: A History of Black American Horror from the 1890s to Present
Means Coleman, Robin (2023)

From "King Kong" to "Candyman," the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In "Horror Noire: Blacks in American Horror Films from 1890's to Present," Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. 

Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. 

Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen. - Publisher's Description

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Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History
Helton, Laura (2023)

During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history. 

"Scattered and Fugitive Things" tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Laura E. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, "Scattered and Fugitive Things" reveals Black collecting as a radical critical tradition that reimagines past, present, and future. - Publisher's Description

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Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race
Gates, Henry; Curran, Andrew; Gates Jr., Henry; Curran, Andrew (2022)

In 1739 Bordeaux’s Royal Academy of Sciences announced a contest for the best essay on the sources of “blackness.” What is the physical cause of blackness and African hair, and what is the cause of Black degeneration, the contest announcement asked. Sixteen essays, written in French and Latin, were ultimately dispatched from all over Europe. The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. 

Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God’s grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More important, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. 

These never previously published documents survived the centuries tucked away in Bordeaux’s municipal library. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. - Publisher's Description

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The Black Civil War Soldier: A Visual History of Conflict and Citizenship
Willis, Deborah (2021)

Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed―marking the Civil War as the first conflict to be extensively documented through photographs. In "The Black Civil War Soldier," Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged. 

With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle―from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and―most predominantly―African American resilience. 

The "Black Civil War Soldier" offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance. - Publisher's Description

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The Sisterhood: How a Network of Black Women Writers Changed American Culture
Thorsson, Courtney (2023)

One Sunday afternoon in February 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan’s Brooklyn apartment to eat gumbo, drink champagne, and talk about their work. Calling themselves “The Sisterhood,” the group―which also came to include Audre Lorde, Paule Marshall, Margo Jefferson, and others―would get together once a month over the next two years, creating a vital space for Black women to discuss literature and liberation. 

"The Sisterhood" tells the story of how this remarkable community transformed American writing and cultural institutions. Drawing on original interviews with Sisterhood members as well as correspondence, meeting minutes, and readings of their works, Courtney Thorsson explores the group’s everyday collaboration and profound legacy. The Sisterhood advocated for Black women writers at trade publishers and magazines such as Random House, Ms., and Essence, and eventually in academic departments as well―often in the face of sexist, racist, and homophobic backlash. Thorsson traces the personal, professional, and political ties that brought the group together as well as the reasons for its dissolution. She considers the popular and critical success of Sisterhood members in the 1980s, the uneasy absorption of Black feminism into the academy, and how younger writers built on the foundations the group laid. Highlighting the organizing, networking, and community building that nurtured Black women’s writing, this book demonstrates that The Sisterhood offers an enduring model for Black feminist collaboration. - Publisher's Description

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Our History Has Always Been Contraband: In Defense of Black Studies
Kaepernick, Colin; Kelley, Robin; Taylor, Keeanga-Yamahtta (2023)

Since its founding as a discipline, Black Studies has been under relentless attack by social and political forces seeking to discredit and neutralize it. "Our History Has Always Been Contraband" was born out of an urgent need to respond to the latest threat: efforts to remove content from an AP African American Studies course being piloted in high schools across the United States. Edited by Colin Kaepernick, Robin D. G. Kelley, and Keeanga-Yamahtta Taylor, "Our History Has Always Been Contraband" brings together canonical texts and authors in Black Studies, including those excised from or not included in the AP curriculum. 

Featuring writings by: David Walker, Frederick Douglass, Anna Julia Cooper, Zora Neale Hurston, W. E. B. Du Bois, C. L. R. James, James Baldwin, June Jordan, Angela Y. Davis, Robert Allen, Barbara Smith, Toni Cade Bambara, bell hooks, Barbara Christian, Patricia Hill Collins, Cathy J. Cohen, Kimberlé Crenshaw, Saidiya Hartman, Khalil Gibran Muhammad, and many others. - Publisher's Description

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HBCU: The Power of Historically Black Colleges and Universities
Gasman, Marybeth; Esters, Levon (2024)

Historically Black Colleges and Universities (HBCUs) play a pivotal role in promoting social and economic mobility for African Americans and in mentoring the next generation of Black leaders. In "HBCU," Marybeth Gasman and Levon T. Esters explore the remarkable impact and contributions of these significant institutions. 

Through inspiring personal stories and extensive research, Gasman and Esters showcase how HBCUs have mentored generations of leaders and scholars, fostering a collaborative culture of success and empowerment. These schools shape and propel Black students into leadership and intellectual roles where they have a major impact on medicine, literature, law, higher education, art, sports, and business. HBCUs also have a profound impact on local communities and economic development that extends far beyond the classroom. This book sheds light on the unique cultures and identities nurtured within HBCUs while emphasizing the importance of philanthropic support and alumni engagement in maintaining these important institutions. 

Despite their positive contributions to society, HBCUs face specific challenges like securing adequate funding and support, small endowments, and accreditation. Gasman and Esters sound a compelling call to action and outline practical steps for sustaining HBCUs' invaluable legacy. - Publisher's Description

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Black Workers Remember: An Oral History of Segregation, Unionism, and the Freedom Struggle
Honey, Michael (2023)

The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. Spanning the 1930s to the present, "Black Workers Remember" tells the hidden history of African American workers in their own words. It provides striking firsthand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era. Together, the stories demonstrate how black workers resisted racial apartheid in American industry and underscore the active role of black working people in history. 

The individual stories are arranged thematically in chapters on labor organizing, Jim Crow in the workplace, police brutality, white union racism, and civil rights struggles. Taken together, the stories ask us to rethink the conventional understanding of the civil rights movement as one led by young people and preachers in the 1950s and 1960s. Instead, we see the freedom struggle as the product of generations of people, including workers who organized unions, resisted Jim Crow at work, and built up their families, churches, and communities. The collection also reveals the devastating impact that a globalizing capitalist economy has had on black communities and the importance of organizing the labor movement as an antidote to poverty. Michael Honey gathered these oral histories for more than fifteen years. He weaves them together here into a rich collection reflecting many tragic dimensions of America's racial history while drawing new attention to the role of workers and poor people in African American and American history. - Publisher's Description

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White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation
Kwate, Naa Oyo (2023)

Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In "White Burgers, Black Cash," Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. 

Fast food has historically been tied to the country’s self-image as the land of opportunity and is marketed as one of life’s simple pleasures, but a more insidious history lies at the industry’s core. "White Burgers, Black Cash" investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food’s racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald’s, and more. 

Deeply researched, compellingly told, and brimming with surprising details, "White Burgers, Black Cash" reveals the inequalities embedded in America’s popular national food tradition. - Publisher's Description

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Alive in the Sound: Black Music as Counterhistory
Radano, Ronald (2025)

In "Alive in the Sound," Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities—spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians’ status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them—as “natural” musicians—indelible properties of sound. As a contradiction of the rules of ownership, wherein enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery’s seminal contests of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music’s place in US and global culture. - Publisher's Description

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Black Intellectuals and Black Society
Kilson, Martin (2024)

This book presents the trailblazing political scientist Martin L. Kilson’s essays on leading Black intellectuals of the twentieth century. Kilson examines the ideas and careers of several key thinkers, placing their intellectual odysseys in the context of the dynamics that shaped the Black intelligentsia more broadly. He argues that the trajectory of twentieth-century Black intellectuals was determined by the interplay between formal ideas and Black egalitarian struggle. 

Beginning with the tension between W. E. B. Du Bois’s civil rights activism and Booker T. Washington’s accommodationism, Kilson explores the formation and evolution of Black intellectuals and activists across generations. Chapters consider Horace Mann Bond’s career in higher education, political scientist John Aubrey Davis’s transition from civil rights activist to federal policy technocrat, Ralph Bunche’s writings on European colonial rule in Africa, Harold Cruse’s classic polemic "The Crisis of the Negro Intellectual," E. Franklin Frazier’s analysis of the Black bourgeoisie, Adelaide M. Cromwell’s studies of the challenges facing elite Black women, and Ishmael Reed and Cornel West’s advocacy as public intellectuals amid a conservative turn. Offering timely and engaging insights into the lives and work of pivotal Black intellectuals and activists, this book sheds new light on the abiding questions and debates in Black political thought. - Publisher's Description

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Being Black in the Ivory: Truth-Telling about Racism in Higher Education
Davis, Shardé (2024)

When Shardé M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag, #BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum. 

This curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with #BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions—and their individual members—might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower. - Publisher's Description

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