Discover & Discuss: Indigenous Americas

Native American Almanac: More Than 50,000 Years of the Cultures and Histories of Indigenous Peoples
Dennis, Yvonne Wakim; Hirschfelder, Arlene; Flynn, Shannon Rothenberger (2016)

Explore the vibrant Native American experience with this comprehensive and affordable historical overview of Indigenous communities and Native American life! The impact of early encounters, past policies, treaties, wars, and prejudices toward America’s Indigenous peoples is a legacy that continues to mark America. The history of the United States and Native Americans are intertwined. Agriculture, place names, and language have all been influenced by Native American culture. The stories and history of pre- and post-colonial Tribal Nations and peoples continue to resonate and informs the geographical boundaries, laws, language and modern life. 

From ancient rock drawings to today’s urban living, the "Native American Almanac: More than 50,000 Years of the Cultures and Histories of Indigenous Peoples" traces the rich heritage of indigenous people. It is a fascinating mix of biography, pre-contact and post-contact history, current events, Tribal Nations’ histories, enlightening insights on environmental and land issues, arts, treaties, languages, education, movements, and more. Ten regional chapters, including urban living, cover the narrative history, the communities, land, environment, important figures, and backgrounds of each area’s Tribal Nations and peoples. The stories of 345 Tribal Nations, biographies of 400 influential figures in all walks of life, Native American firsts, awards, and statistics are covered. 150 photographs and illustrations bring the text to life. 

The most complete and affordable single-volume reference work about Native American culture available today, the "Native American Almanac" is a unique and valuable resource devoted to illustrating, demystifying, and celebrating the moving, sometimes difficult, and often lost history of the indigenous people of America. Capturing the stories and voices of the American Indian of yesterday and today, it provides a range of information on Native American history, society, and culture. A must have for anyone interested in our America’s rich history! - Publisher's Description

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The Rediscovery of America: Native Peoples and the Unmaking of U.S. History
Blackhawk, Ned (2023)

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. 

Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that European colonization in the 1600s was never a predetermined success; Native nations helped shape England’s crisis of empire; the first shots of the American Revolution were prompted by Indian affairs in the interior; California Indians targeted by federally funded militias were among the first casualties of the Civil War; the Union victory forever recalibrated Native communities across the West; Twentieth-century reservation activists refashioned American law and policy. 

Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America. - Publisher's Description

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Not Native American Art: Fakes, Replicas, and Invented Traditions
Berlo, Janet Catherine; Horse Capture, Joseph D. (2023)

The faking of Native American art objects has proliferated as their commercial value has increased, but even a century ago experts were warning that the faking of objects ranging from catlinite pipes to Chumash sculpture was rampant. Through a series of historical and contemporary case studies, Janet Catherine Berlo engages with troubling and sometimes confusing categories of inauthenticity. 

Based on decades of research as well as interviews with curators, collectors, restorers, replica makers, reenactors, and Native artists and cultural specialists, Not Native American Art examines the historical and social contexts within which people make replicas and fakes or even invent new objects that then become "traditional." Berlo follows the unexpected trajectories of such objects, including Northwest Coast carvings, "Navajo" rugs made in Mexico, Zuni mask replicas, Lakota-style quillwork, and Mimbres bowl forgeries. With engaging anecdotes, the book offers a rich and nuanced understanding of a surprisingly wide range of practices that makers have used to produce objects that are "not Native American art." - Publisher's Description

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Staging Indigeneity: Salvage Tourism and the Performance of Native American History
Phillips, Katrina M. (2021)

As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls “salvage tourism”—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. 

Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development. - Publisher's Description

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An Indigenous Peoples' History of the United States
Dunbar-Ortiz, Roxanne (2014)

Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortizoffers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire. 

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, "An Indigenous Peoples’ History of the United States" is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.” 

Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative. - Publisher's Description

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Becoming Mary Sully: Toward an American Indian Abstract
Deloria, Philip Joseph (2019)

Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. 

Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures―within and distinct from American modernity and modernism. - Publisher's Description

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Aztec Antichrist: Performing the Apocalypse in Early Colonial Mexico
Leeming, Ben (2022)

In "Aztec Antichrist," Ben Leeming presents a transcription, translation, and study of two sixteenth-century Nahuatl religious plays that are likely the earliest surviving presentations of the Antichrist legend in the Americas, and possibly the earliest surviving play scripts in the whole of the New World in any language. 

Discovered in the archives of the Hispanic Society of America in New York inside a notebook of miscellaneous Nahuatl-Christian texts written almost entirely by an Indigenous writer named Fabían de Aquino, the plays are filled with references to human sacrifice, bloodletting, ritual divination, and other religious practices declared “idolatrous” at a time when ecclesiastical authorities actively sought to suppress writing about Indigenous religion. These are Indigenous plays for an Indigenous audience that reveal how Nahuas made sense of Christianity and helped form its colonial image—the title figure is a powerful Indigenous being, an “Aztec Antichrist,” who violently opposes the evangelizing efforts of the church and seeks to draw converted Nahuas back to the religious practices of their ancestors. These practices include devotion to Nahua deities such as Tlaloc, Quetzalcoatl, and Tezcatlipoca who, in one of the most striking moves made by Aquino, are cast as characters in the plays. 

Along with the translations, Leeming provides context and analysis highlighting these rare and fascinating examples of early Indigenous American literature that offer a window into the complexity of Nahua interactions with Christianity in the early colonial period. The work is extremely valuable to all students and scholars of Latin American religion, colonialism, Indigenous history, and early modern history and theater. - Publisher's Description

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Chitto Harjo: Native Patriotism and the Medicine Way
Fixico, Donald L. (2025)

Chitto Harjo (“Crazy Snake”) had several names—Wilson Jones, Bill Jones, Bill Harjo, Bill Snake—and people called him many things: troublemaker, rebellion leader, uncivilized Indian, martyr, murderer. Many called him crazy for fighting against progress and for his commitment to traditions that they believed were outdated and dying out. Yet in the eyes of many Mvskokes and traditionalists of other nations, he was a hero, a defender of the old ways, a Native patriot, and a leader of the Medicine Way. 

These traditionalists believed in the Mvskoke worldview, which has inspired the Mvskokes and other Southeastern peoples to carry on their traditions as they have done for hundreds of years. In this engaging account, historian Donald L. Fixico tells the story of the Mvskoke people and their fight for survival and unity amid enduring tensions between white “civilization” and traditional culture. A personal story that begins with Fixico attending a Green Corn Ceremony with his father and young son, this engrossing narrative integrates traditional knowledge with historical method to present an Indigenous perspective on Mvskoke and Native American history. - Publisher's Description

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Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience
Smetzer, Megan A. (2021)

For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. "Painful Beauty" suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women's resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S’eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks. 

Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. "Painful Beauty" is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women’s artistic expressions on the Northwest Coast. - Publisher's Description

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Written by the Body: Gender Expansiveness and Indigenous Non-Cis Masculinities
Tatonetti, Lisa (2021)

Within Native American and Indigenous studies, the rise of Indigenous masculinities has engendered both productive conversations and critiques. Lisa Tatonetti intervenes in this conversation with "Written by the Body" by centering how female, queer, and/or Two-Spirit Indigenous people take up or refute masculinity, and, in the process, offer more expansive understandings of gender. 

"Written by the Body" moves from the eighteenth- and nineteenth-century archive to turn-of-the-century and late-twentieth-century fiction to documentaries, HIV/AIDS activism, and, finally, recent experimental film and literature. Across it all, Tatonetti shows how Indigenous gender expansiveness, and particularly queer and non-cis gender articulations, moves between and among Native peoples to forge kinship, offer protection, and make change. She charts how the body functions as a somatic archive of Indigenous knowledge in Native histories, literatures, and activisms—exploring representations of Idle No More in the documentary "Trick or Treaty," the all-female wildland firefighting crew depicted in Apache 8, Chief Theresa Spence, activist Carole laFavor, S. Alice Callahan, Thirza Cuthand, Joshua Whitehead, Carrie House, and more. 

In response to criticisms of Indigenous masculinity studies, "Written by the Body" de-sutures masculinity from the cis-gendered body and investigates the ways in which female, trans, and otherwise nonconforming masculinities carry the traces of Two-Spirit histories and exceed the limitations of settler colonial imaginings of gender. - Publisher's Description

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The Art of Ceremony: Voices of Renewal from Indigenous Oregon
Dobkins, Rebecca J. (2022)

The practice of ceremony offers ways to build relationships between the land and its beings, reflecting change while drawing upon deep relationships going back millennia. Ceremony may involve intricate and spectacular regalia but may also involve simple tools, such as a plastic bucket for harvesting huckleberries or a river rock that holds heat for sweat. "The Art of Ceremony" provides a contemporary and historical overview of the nine federally recognized tribes in Oregon, through rich conversations with tribal representatives who convey their commitments to ceremonial practices and the inseparable need to renew language, art, ecological systems, kinship relations, and political and legal sovereignty. 

Vivid photographs illuminate the ties between land and people at the heart of such practice, and each chapter features specific ceremonies chosen by tribal co-collaborators, such as the Siletz Nee Dosh (Feather Dance), the huckleberry gathering of the Cow Creek Umpqua, and the Klamath Return of C'waam (sucker fish) Ceremony. Part of a larger global story of Indigenous rights and cultural resurgence in the twenty-first century, "The Art of Ceremony" celebrates the power of Indigenous renewal, sustainable connection to the land, and the ethics of responsibility and reciprocity between the earth and all its inhabitants. - Publisher's Description

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Rise up! Indigenous Music in North America
Harris, Craig (2023)

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in "Rise Up! Indigenous Music in North America." More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. 

Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood. - Publisher's Description

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The Indigenous Peoples of Mesoamerica and Central America: Their Societies, Cultures, and Histories
Carmack, Robert M. (2017)

In The Indigenous Peoples of Mesoamerica and Central America, Robert Carmack focuses on K’iche’ natives of Guatemala, Masayan peoples of Nicaragua, and the native peoples of Buenos Aires and Costa Rica. Starting with Christopher Columbus’ proclaimed “discovery” of Central America, Carmack illustrates the Central American native peoples’ dramatic struggles for survival, native languages, and unique communities and states. Carmack draws on the fieldwork that he has conducted over the past fifty years to highlight the diversity of the Central American peoples, cultures, and histories, and to explain their significance relative to other native peoples of the world. This book is recommended for scholars of anthropology, Latin American studies, history, and sociology. - Publisher's Description

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Native Foodways: Indigenous North American Religious Traditions and Foods
Pesantubbee, Michelene E.; Zogry, Michael J. (2021)

Native Foodways is the first scholarly collection of essays devoted exclusively to the interplay of Indigenous religious traditions and foodways in North America. Drawing on diverse methodologies, the essays discuss significant confluences in selected examples of these religious traditions and foodways, providing rich individual case studies informed by relevant historical, ethnographic, and comparative data. 

Many of the essays demonstrate how narrative and active elements of selected Indigenous North American religious traditions have provided templates for interactive relationships with particular animals and plants, rooted in detailed information about their local environments. In return, these animals and plants have provided these Native American communities with sustenance. Other essays provide analyses of additional contemporary and historical North American Indigenous foodways while also addressing issues of tradition and cultural change. Scholars and other readers interested in ecology, climate change, world hunger, colonization, religious studies, and cultural studies will find this book to be a valuable resource. - Publisher's Description

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Indigenous Comics and Graphic Novels: Studies in Genre
Donahue, James J. (2024)

In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. 

In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field. - Publisher's Description

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The Sioux Chef's Indigenous Kitchen
Sherman, Sean (2017)

Here is real food—our indigenous American fruits and vegetables, the wild and foraged ingredients, game and fish. Locally sourced, seasonal, “clean” ingredients and nose-to-tail cooking are nothing new to Sean Sherman, the Oglala Lakota chef and founder of The Sioux Chef. In his breakout book, "The Sioux Chef’s Indigenous Kitchen," Sherman shares his approach to creating boldly seasoned foods that are vibrant, healthful, at once elegant and easy. 

Sherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut–maple bites. 

"The Sioux Chef’s Indigenous Kitchen" is a rich education and a delectable introduction to modern indigenous cuisine of the Dakota and Minnesota territories, with a vision and approach to food that travels well beyond those borders. - Publisher's Description

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Indigenous Toronto: Stories That Carry This Place
Bolduc, Denise (2021)

Beneath many major North American cities rests a deep foundation of Indigenous history that has been colonized, paved over, and, too often, silenced. 

Few of its current inhabitants know that Toronto has seen twelve thousand years of uninterrupted Indigenous presence and nationhood in this region, along with a vibrant culture and history that thrives to this day. 

With contributions by Indigenous Elders, scholars, journalists, artists, and historians, this unique anthology explores the poles of cultural continuity and settler colonialism that have come to define Toronto as a significant cultural hub and intersection that was also known as a Meeting Place long before European settlers arrived. - Publisher's Description

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Talking Back: Native Women and the Making of the Early South
Dubcovsky, Alejandra (2023)

Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative. 

Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South. - Publisher's Description

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The Mixtecs of Colonial Oaxaca: Ñudzahui History, Sixteenth Through Eighteenth Centuries
Terraciano, Kevin (2022)

This book is a history of the Mixtec Indians of southern Mexico, who in their own language call themselves Tay Ñudzahui, "people of the rain place." These people were among the most populous cultural and language groups of Mesoamerica at the time of the Spanish conquest. This study focuses on several dozen Mixtec communities in the region of Oaxaca during the period from about 1540 to 1750. The work is largely based on an extraordinary collection of primary sources, translated and analyzed by the author, that were written by Mixtecs in the roman alphabet from the mid-sixteenth to the early nineteenth centuries. To complement this native-language corpus, the author has examined preconquest and early colonial pictorial writings, Spanish-language civil and trial records, and Nahuatl (Aztec) texts. 

The book addresses many interrelated topics, including writing, language, sociopolitical organization, local government, social and gender relations, land tenure, trade, rebellion, religion, ethnicity, and historical memory. Throughout, the author emphasizes the internal, indigenous perspective instead of relying on Spanish sources and points of view. In its focus on indigenous concepts, the book introduces a new terminology and new categories of analysis in colonial Mexican history. The conclusion makes detailed comparisons with recent findings on the Nahuas of central Mexico and the Maya of Yucatán, and revisits the question of cultural change among indigenous peoples under colonial rule. - Publisher's Description

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The Girl in the Middle: A Recovered History of the American West
Sandweiss, Martha A. (2025)

In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As "The Girl in the Middle" goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. 

Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. 

Spinning a spellbinding historical tale from a single enigmatic image, "The Girl in the Middle" reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War. - Publisher's Description

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