Controlled digital lending (CDL) enables our library to scan and lend a digitized version of a book in lieu of a physical copy, in a controlled manner that precludes copying or redistribution.
“We can destroy what we have written, but we cannot unwrite it." - A Clockwork Orange by Anthony Burgess, removed from a Colorado high school in 1976 due to objectional material.
For the latest post on "Back in the Stacks," Cataloging Specialist Jan Hardy reviews "The Disappearing L: Erasure of Lesbian Spaces and Culture" by Bonnie J. Morris.
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Before it was a major motion picture starring Glenn Close, The Wife was a novel by Meg Wolitzer. Beginning in the 1950s, with men mostly controlling the access to publishing and success, and academia mostly extolling male writers, "The Wife" sketches out the differences between men’s “armored,” “muscle-bound” writing and women’s more intimate, personal stories.
On her Back in the Stacks blog, Cataloging Specialist Jan Hardy reviews What Truth Sounds Like: Robert F. Kennedy, James Baldwin, and Our Unfinished Conversation About Race In America by Michael Eric Dyson (St. Martin's Press, 2018)
On her Back in the Stacks blog, Cataloging Specialist Jan Hardy reviews a trio of books about "man's best friend."
On her Back in the Stacks blog, Cataloging Specialist Jan Hardy reviews You’re Not From Around Here, Are You? : a Lesbian in Small-Town America by Louise A. Blum.
Blogging about a topic that is, sadly, still relevant today, Cataloging Specialist Jan Hardy reviews two books about the Columbine high school shooting. "A Mother’s Reckoning: Living in the Aftermath of Tragedy" by Sue Klebold is a memoir by the mother of one of the shooters, who shares her insights on how evil can seem so recognizable in retrospect, yet hidden right before our eyes.